(The fact that PR3’s TIFF and JPEG output differ from each other in brightness and tonality is an another obvious issue.) As I said, I am using a color managed workflow, so the applications are profile aware. The color shift is visible, and the same, regardless of what software I use to view the images. The color shift occurs whether PR3 produces DNG, TIFF, or JPEG. Does this happen when using PhotoLab, or just PureRaw? I have examined the histograms of OM-1 images run through PureRaw, and what consistently happens is that PR3 boosts the red channel, while reducing the green and blue channels.ĭoes PR3 do this with all cameras, or is it just the OM-1? Is there something I can do to prevent PR3 from doing this? Trying to correct it can be a pain and can introduce other artifacts.

(If you can’t see it in the example, there may be a problem with your calibration or color perception. You can see clearly that the greens in the diffused background have shifted strongly towards brown or yellow, making the foliage appear sickly.

The camera colors are correct, because they match what I see with my eyes when shooting. PR3 is on the left, camera native is on the right. It does this on a wide variety of images, and it happens regardless of which noise reduction method is chosen it does the same thing on Prime, DeepPrime, or HQ.Įxamples from two images are shown. The issue I’m seeing is that PR3 messes up the greens in my images, making them look browner. I shoot primarily landscape & nature, so greens are important. I’m running on a calibrated monitor with an avg delta e of 0.7. Running latest version of PR3, 3.1.0/b532/圆4, Windows 11, CPU processing.Ĭamera is Olympus/OM System OM-1. I’m looking specifically for feedback from DXO or people that use the OM-1. I contacted DXO Support but after a week have received no response, so I’m posting here in hope that someone might be able to help. I’m a new DXO customer experiencing a problem with PureRaw 3.

Dxo pureraw mac