The new Aux level control puts the level control from an aux channel strip onto the faders, promising more precise work and quick switching between aux channels. Editing should work very smoothly during playback, seeing that you can cut and rearrange audio while playing without wasting time. Other new features include track output recording which is useful for saving and editing stems. The track editor also adapts to your preferred view, be it on a second monitor or when viewing in portrait or landscape format. Another workflow component is the dockable track editor which enables access to all important functions of a track, including audio and AUX settings, plug-ins and/or mixer settings. The central automation control in the Automation Panel provides an overview of mix automation, which benefits complex arrangements.

You can mark favorites, you can find them faster using keywords (tags) and filter categories. This is exactly where Samplitude Pro X6 wants to help with the new plug-in browser. For example, if you use a lot of plug-ins, you can sometimes lose track of things. It’s not only optimized, but also designed to be more individual. But it’s the workflow that has a central role in this new version of Samplitude. Let’s start with the dynamic EQ, wbich offers a variety of filter options for the individual bands with precise editing options.

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